Recycling in Improvisation
This way of thinking about improvisation is intended for:
Younger players intimidated by the seemingly daunting task of learning all the theory involved with improvisation.
And:
Advanced players looking for ways to breathe new life into seemingly mundane things like major scales and arpeggios.
The first time I played a major scale over something other than its’ major chord was a revelation to me. By focusing on this bit of musical recycling I can now apply something I am comfortable with (major scales, pentatonics and arpeggios) to chords in such a way as to sound exotic and new. I address this point in the sections Bi-Tonality and Pentatonic Scales.
This book contains the theory/explanation and examples of recycling, exercises in all keys and etudes that utilize these concepts.
Available in Instantly downloadable PDF.
Description
This way of thinking about improvisation is intended for:
Younger players intimidated by the seemingly daunting task of learning all the theory involved with improvisation.
And:
Advanced players looking for ways to breathe new life into seemingly mundane things like major scales and arpeggios.
The first time I played a major scale over something other than its’ major chord was a revelation to me. By focusing on this bit of musical recycling I can now apply something I am comfortable with (major scales, pentatonics and arpeggios) to chords in such a way as to sound exotic and new. I address this point in the sections Bi-Tonality and Pentatonic Scales.
This book contains the theory/explanation and examples of recycling, exercises in all keys and etudes that utilize these concepts.
Available in Instantly downloadable PDF.
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