A Tale of Three Tom Crowns

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Here is an incredibly “trumpet-nerdy” post for all you trumpet-nerds, like me.  I recently bought two Tom Crown straight mutes, an all-brass Gemini, and aluminum with the brass bottom Gemini.  I have owned over a dozen straight mutes over the years and I really have never “connected” with any metal straight mute until I tried a Gemini.  (I have a favorite harmon, cup and wood straight that I love but until now, not a favorite metal straight.)  The Gemini is a relatively recent edition to the Tom Crown catalog.  It is longer than the classic Tom Crown straight and the bottom is a little more rounded.  (Refer to pic above)

I would like to use this post to try to compare the classic all-aluminum Tom Crown straight with the all-brass Gemini and the aluminum with brass bottom Gemini.  My initial reactions are the classic has that sound that has been the “industry standard” in the orchestral world for decades.  However, the Gemini’s feel more even throughout the registers and have better intonation, while still maintaining qualities of that classic sound.  (I recently re-corked my classic TC with factory TC corks and the intonation improved dramatically.)  The difficulty lies in discerning between the all-brass and brass bottom Gemini’s.  The all-brass feels a little more dense, colorful and more projecting, or resonant.  The aluminum/brass Gemini feels a little more secure on heavily articulated passages and stable in timbre.  With this in mind, my initial feeling is that I think I like the all-brass Gemini for my Bb and the aluminum/brass version for my C trumpet.  You can be the judge.  I recorded an excerpt from Plog’s 2nd Concerto on my C trumpet (Bach Artisan) using all three mutes.  And I also recorded two excerpts from the Gregson Concerto on my Bb (Bach Artisan) using the same mutes.  I obviously tried to play the excerpts with the same volume and articulations so we can compare apples to apples as much as possible.  I think the differences with the Gemini’s are subtle so you may want to use headphones.

I would be very curious about your impressions of these mutes.

Plog Concerto no. 2

C trumpet Classic Tom Crown

C trumpet aluminum/brass Gemini

C trumpet all brass Gemini

 

Gregson concerto

Bb trumpet Classic Tom Crown

Bb trumpet aluminum/brass Gemini

Bb trumpet all brass Gemini

 

2 thoughts on “A Tale of Three Tom Crowns

  1. Bill Camp - President Tom Crown Mute Company

    Hi David. I like all of your postings on the Tom Crown mutes. I am not too biased but I run the mute company these days and the Gemini was my doing.
    Anyway years ago I recorded the Bozza Rustiques with the Dallas Winds and I have been trying to find that arrangement for years. When I did a search again your site came up and thought I would check it out. If you have any idea of who to check with to find this I would be greatly appreciative.
    Thanks for all of your postings

    Reply
    1. David Cooper Post author

      Hi Bill,
      Thanks for the nice comments and THANKS for the fantastic mute! I will look into that arrangement and get back to you.
      Dave

      Reply

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